Clack

Black and white photo converter

Make a photo black and white on film, with a lens filter. Free, in your browser.

Photo none
Film
Lens filter
A blue sky a little darker and clouds stand out, close to how the eye sees it. The usual first filter.

Made in this browser; nothing is uploaded. The copy is a JPEG up to 1600 px on its long side, without the original’s metadata.

Guide · Updated

Choose a photo above and it turns black and white the way film does: on Street 400 (based on Kodak Tri-X 400) or Press 400 (based on Ilford HP5 Plus 400), behind a yellow, orange, red or green filter, with the film’s grain and its paper’s contrast. Download it as a JPEG. It runs in your browser; nothing is uploaded.

The films are the two black and white films in Clack, a film camera app for Android, ported to the browser. Clack is not affiliated with Kodak or Ilford.

01 · Steps

How to make a photo black and white

  1. Choose a photo. Any JPEG, PNG or WebP from your phone or computer (HEIC in Safari). It is read in your browser and never uploaded.
  2. Pick the film. Street 400 (based on Kodak Tri-X 400) is harder with fine grain; Press 400 (based on Ilford HP5 Plus 400) softer with coarser grain.
  3. Pick a filter. Yellow for skies as the eye sees them, orange or red to darken them, green for foliage, none for the film as it is.
  4. Download. A JPEG up to 1600 px on its long side. Hold “Hold for the original” to compare first.

02 · Color into gray

Why film black and white looks different from a grayscale

Turning a photo black and white means deciding how much each color counts toward the gray. A grayscale (desaturating, or most apps’ black and white filter) uses the eye’s sense of brightness, where green counts most and blue least. Black and white film sees differently: it is more sensitive to blue than the eye is, so blue skies print pale. A colored filter on the lens changes the mix again, lightening its own color and darkening its opposite.

ConversionRedGreenBlue
A plain grayscale (the eye’s brightness, Rec. 709)21 %72 %7 %
Tri-X 400, no filter21 %37 %42 %
Behind a yellow filter34 %60 %6 %
Behind an orange filter56 %43 %2 %
Behind a red filter93 %6 %2 %
Behind a green filter2 %92 %7 %

The share of the gray from red, green and blue: the eye’s weights, then Clack’s model of Tri-X 400 from Kodak’s data, bare and behind each filter. A red filter makes the gray almost all red, so a blue sky has little left to print and goes dark. What each filter does and when to use it is in our guide to black and white filters.

03 · The films

Street 400 and Press 400

Street 400, based on Kodak Tri-X 400, is the harder of the two, with a fine grain and a little crispness. Press 400, based on Ilford HP5 Plus 400, is softer, with a coarser grain. Both are modeled from their makers’ published curves and color sensitivity, and printed on black and white paper. The filter keeps the exposure, as a meter behind the lens would, so you see what the filter does to the colors, not the stops it costs.

A filter on a finished photo works from the phone’s colors, which are already processed; in Clack the filter and the film come first, before the phone’s look. For color films, use the film filter.

Questions

How do I make a photo black and white?
Choose it above: it is converted on Street 400 behind a yellow filter at once, and you can change the film and the filter, then download it. In a phone’s gallery or any editor, a black and white filter or turning saturation to zero does it too, but as a plain grayscale, without film’s color response or grain.
What is the difference between grayscale and black and white film?
A grayscale weighs red, green and blue as the eye sees brightness, so green counts most. Black and white film sees blue more strongly than the eye: on Tri-X, blue makes up about 42 % of the gray against 7 % in a grayscale. So skies print paler on film, which is why photographers put a yellow, orange or red filter on the lens.
What does a red filter do to a black and white photo?
It passes red and stops most blue and green: a blue sky goes dark, near black in a deep blue, and clouds stay white; skin, lips and red things go light. Behind a red filter, red makes up about 93 % of the gray in Clack’s model of Tri-X.
Is my photo uploaded?
No. It is decoded and converted by your browser, on your device, and the page sends nothing anywhere.
Can I turn a black and white photo back into color?
Not with this tool: once the colors are gone, the gray does not say what they were. Colorizing guesses them, which is a different kind of tool.
Is the converter free?
Yes. No sign-up and no watermark; the photos you make are yours.

Sources

The percentages are Clack’s film model (filmData.ts), the same numbers as the black and white filters guide. The converter is Clack’s shader, ported to WebGL2.

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